The neutral density (ND) filter is one of those tools that should be in almost every photographer’s camera bag. However, ND filters are mysterious to some, and many folks just don’t understand how, where, and when to use them. Beyond that, manufacturers seem to vary in their preferences as far as how they name ND filters—adding to the confusion. In this article, let us navigate the world of the ND filter together and see if we can make sense of the nomenclature and also name some appropriate times for their use.
What is a Neutral Density Filter?
The ND filter is basically a filter that, placed before the lens (or dropped into a filter slot) reduces the amount of light making its way into the camera. Think of the ND filter as sunglasses for your camera—albeit sunglasses that do not change the color of the light being captured by the camera and lens—hence the “neutral” nomenclature.
Photographs ©Todd Vorenkamp
What do Neutral Density Filters do or allow you to do?
There are a couple of real-world uses for the ND filter—one involving aperture and one involving shutter speed.
1. Aperture — Shallow depth of field in brightly lit environments
In the world of photography, generally speaking, more light is better. But, if you have ever been outside with an older analog or digital camera and tried to shoot your 50mm f/1.8 lens in broad daylight at wide-open apertures, you might recall seeing your exposure needle seemingly glued to the top of the light meter, or your digital light meter screaming “OVEREXPOSURE!” because the camera’s shutter could not cycle fast enough for the amount of light present.
The ND filter allows photographers to shoot their wide-aperture lenses in bright light without overexposing. This allows shallow depth of field and selective focus effects while under lighting conditions that exceed the shutter speed capabilities of the camera.
Even with the blazing-fast shutter speeds of today’s professional cameras and the previously unattainable shutter speeds introduced by electronic shutters, there is still a place in photography for the ND filter here.
2. Shutter Speed — Slowing your shutter
The more “classic” use of the ND filter regards its effect on shutter speed. With less light entering the camera, you will need to slow the shutter for a given aperture setting. The slower shutter speed will allow anything moving in your frame to become blurred.
In general, camera blur is not desired, but if you work with a tripod or alternative support with an ND filter and a slow shutter, that which is static in the frame stays static and that which moves becomes blurry.
Where can you use this? Basically in any photograph with which you want to emphasize movement. Popular subjects include waterfalls, vehicular traffic, people (not usually portraits), seascapes, rivers, streams, clouds, and smoke.
What do the numbers on ND filters mean?
ND filters come in different strengths or darkness levels. For the photographer, the easiest thing would be to have ND filters that tell you how many stops of light they will darken your exposure. Designed by optical engineers, most brands of ND filters label their products with either an ND filter factor number or optical density number. Unfortunately, for the photographer, neither the filter factor nor the optical density number are equal to the number of stops by which the light is reduced.
So, here is a handy chart to reference when shopping for an ND filter or employing a filter you already own.
Stops of Light Reduction(There are filters that are measured to a fraction of a stop, but, for simplicity, we are using whole numbers here with the exception of a few filters.) Optical Density Number(Sometimes prefaced with an “ND” before the number) ND 1 Number Filter Factor Number(Sometimes prefaced with an “ND” before the number) Amount Light is Reduced 0 0 — 0 (a.k.a. Clear Filter) 0 1 ND 0.3 or “ND 0.3” ND 101 2 or “ND2” 1/2 2 ND 0.6 ND 102 4 1/4 3 ND 0.9 ND 103 8 1/8 4 ND 1.2 ND 104 16 1/16 5 ND 1.5 ND 105 32 1/32 6 ND 1.8 ND 106 64 1/64 6 2/3 ND 2 100 1/100 7 ND 2.1 ND 107 128 1/128 8 ND 2.4 ND 108 256 1/256 9 ND 2.7 ND 109 512 1/512 10 ND 3.0 ND 110 1024 (a.k.a. ND1000) 1/1024 11 ND 3.3 ND 111 2048 1/2048 12 ND 3.6 ND 112 4096 1/4096 13 ND 3.9 ND 113 8192 1/8192 13 1/3 ND 4.0 10000 1/10000 14 ND 4.2 ND 114 16384 1/16384 15 ND 4.5 ND 115 32768 1/32768 16 ND 4.8 ND 116 65536 1/65536 16 2/3 ND 5.0 100000 1/100000 17 ND 5.1 ND 117 131072 1/131072 18 ND 5.4 ND 118 262144 1/262144 19 ND 5.7 ND 119 524288 1/524288 20 ND 6 ND 120 1048576 1/1048576 22 ND 6.6 ND 122 4194304 1/4194304 24 ND 7.2 ND 124 16777216 1/16777216
So, for every stop of ND filter, you halve the amount of light entering the camera. When the light is halved, to maintain the same exposure, you need to double your shutter speed. Add another ND stop; double the shutter speed again.
Let’s see, in graphical form, how an ND filter effects exposure time:
Original Shutter Speed ND Filter Stops New Shutter Speed(Rounded to standard camera shutter speeds when applicable) 1s 0 1s 1s 1 2s 1s 2 4s 1s 3 8s 1s 4 15s 1s 5 30s 1s 6 1m 1s 7 2m 1s 8 4m 1s 9 8m 1s 10 16m 1s 11 30m 1s 12 1hr 1s 13 2hr 1s 14 4hr 1s 15 8hr 1s 16 16hr 1s 17 32hr 1s 18 64hr 1s 19 128hr 1s 20 256hr 1s 21 512hr 1s 22 1024hr 1s 23 2048hr 1s 24 4096hr (170 days 16 hours)
Here is an example of the change in exposure affecting shutter speed when using an ND filter where your goal is to shoot at a slower shutter speed to blur a waterfall. Because of the bright daylight, the original shutter speed, even with the lens stepped down to f/16, is a fast 1/800th and freezes the water. You have a 6-stop ND filter in your bag and you screw it onto your lens. Here is the result:
Original exposure: ISO 200, f/16.0, 1/800.
Exposure with 6-stop ND filter: ISO 200, f/16.0, 1/13.
Here is an example of an exposure adjustment for trying to maintain a specific aperture when using an ND filter. You are shooting in broad daylight and want to take a photo of a flower with a soft background. You open your lens to f/1.4 and your exposure meter is pegged because the camera cannot fire the shutter faster than 1/4000 to get a proper exposure. Add an ND filter and see what happens:
Original exposure: ISO 200, f/1.4, 1/4000 overexposed.
Exposure with 6-stop ND filter: ISO 200, f/1.4, 1/60… still overexposed, but the shutter speed is easily achievable by the camera. So, now you can shoot the same scene at, say, 1/500 and get your shallow depth of field in direct daylight.
One technique photographers use is filter “stacking.” If you have more than one ND filter, you may combine the two (or more filters) to get more ND stops for different photographic needs. The stacking math is easy: If you combine a 6-stop ND filter and a 10-stop ND filter, you now have a 16-stop ND filter.
The downside to stacking filters is that, for each filter you add, you are forcing light to pass through more and more glass (or resin) elements. The more things that the light has to traverse, the more it is likely to get slightly refracted in some way that causes softness or chromatic aberrations in an image.
Most “solid” ND filters are round and screw onto the front of the lens. Larger lenses may have circular drop-in filters. However, some ND filters are rectangular or square-shaped and are inserted into special holders that affix to the front of the lens. The filter ratings for round and rectangular filters are identical.
Other Types of ND Filters
Graduated Neutral Density Filter (GND) — The GND filter is an ND filter that transitions from light to dark. The rectangular GND filters are more popular than circular because they allow the photographer to adjust the position of the transition area from light to dark. The main purpose of the GND filter is to balance exposure in an image that contains a bright sky and relatively darker foreground. Landscape photographers are big consumers of GND filters and they perform especially well when capturing sunset images.
Variable Neutral Density Filter (VND) — The VND filter gives the photographer the ability to “dial in” the amount of filtration by turning the outer ring of a dual-ring filter. The maximum and minimum ND rating differ with different filters, but the 2-stop to 8-stop variety are most popular. The advantage of the VND filter is that you only need to carry one ND filter with you to get a variety of darkness levels. The disadvantage of the VND filter is that, due to the design of the filters, as you approach the maximum ND setting, you can get a cross pattern across the image. This is remedied by dialing the ND setting back a bit.
Center Neutral Density Filter (CND) — The smallest category of ND filter, the CND filter has a darkened center and lighter edges. It serves to balance exposure across the frame when using extreme wide angle lenses.
Polarizing Filter — Yep, your polarizing filter is an ND filter that you may already own. Most polarizers give a 2-stop ND filter effect while providing the cannot-achieve-it-in-post-processing polarizing effects of cutting down glare, darkening the blue skies, and seeing farther into water.
This is one more thing you can do with your ND filter(s). Many ND filter manufactures state that filters with a density of 16-stops or greater (shaded in the above table) are suitable for solar photography and solar eclipse photography. WARNING: If using an ND filter (or stack of ND filters) for solar photography, do NOT use an optical viewfinder. Specialized solar imaging and viewing filters not only filter visible light, but harmful UV and IR radiation as well. ND filters do NOT provide this protection. Use them only with electronic viewfinders and/or Live View mode.
Recommended ND Filter Factors
Many landscape photographers recommend that you head out into the field with a 6-stop ND filter that should be perfect for slowing your shutter speeds enough to show smooth motion in mountain streams and waterfalls. Add your polarizer to make it an 8-stop ND stack.
Some wedding and portrait photographers prefer the 3-stop ND filter to give them a wide-open aperture option while shooting in sunlight. Combine this with a 6-stop for a 9-stop combo when needed.
The 10-stop and darker ND filters are becoming popular with many photographers as they allow extremely slow shutter speed shooting and extremely wide aperture shooting under bright sunlight. If you have the time to crank out night photography-like shutter speeds, you can get some pretty cool effects with these super-dark filters in urban and natural settings. At the extreme end, the 24-stop ND filter is great for images with the sun directly in the frame.
Do you have any questions about neutral density filters or ND filter photography? Do you have some creative uses for ND filters? Feel free to ask questions or leave comments below!